More life drawing

My right hand is out of plaster and though it remains stiff, swollen and sore I was surprised how quickly I defaulted to drawing again with my dominant hand. I missed the warm up fast sketches having left my pad on the platform when I changed trains and having to go back up the line one stop to retrieve it. I had gone with a plan in mind, to focus on a particular shape, likely negative space, and build the drawing round this, filling the page. These were the results, in conte crayon.

Left handed life drawing

So here’s a mix of drawings from our 90 minute session, and it will be obvious which were 2, 5, 10 and 20 minute sketches. We had a great model with excellent muscle definition. I switched media throughout, just for fun. Working only with my non-dominant hand is freeing. I think my lines are bolder, and this makes up for poorer fine coordination. I am generally working from inside out, blocking in content before finding the lines. One of the artists there is a professional sculptor recently moved from China, still looking at how to work here. Her drawings look like sculptures, extending off the page with wonderful definition of three dimensional shape. She was generous in her discussion of my drawings. The fourth down, the last I drew, was built on the contrast between the man and the red blanket he sat on. I felt I had struggled to control my materials. She, however, drew my attention to the abstraction and non-natural colours of Fauvism. I like this and I think I will try more for this sense next time.

life drawing

Thanks to Naomi, and to Hannah for organising these fortnightly sessions. I had no clear plan today and used a mix of techniques. This is a mix of 2, 5, 10 and 20 minute poses. note the two drawings superimposed on each other in blue and green sharpie (better had I used complementary colours). I think I am still overdrawing. Especially on the blue paper, fewer, bolder strokes might have worked better.

Ink

At the life drawing session, the model was once again Sophie who holds the most amazing positions and whose animated features still shine with humour as we draw. Previously I have worked in charcoal pencil and conte crayon. Today, I worked in pen and ink, grabbing the wash off the nib with a water brush. The first 2 minute poses were drawn free but subsequently I built a construction in pencil.

Sophie has beautiful tattoos. For the first time I tried to at least reference these in the longer drawings.