The drawing below was done by my adult son, who never normally draws, on the occasion of my birthday this week.
The phrase in the title references the Book of the Dead, the working manual for the Abhorsen who hastens the unquiet spirits through the seven precincts and past the final gate.
Henri Matisse collected objects and placed them as actors centre-stage and in the wings in the dramas of his still life images.
He used cut out shapes to position his players and the cut outs themselves became art.
He spent a year searching for a Venetian carved wood chair and was delighted with his find.
These six last images include a couple of illicit photographs, and scans of post cards and illustrations in the book accompanying the exhibition at the Royal Academy of Arts exhibition, “Matisse in the studio“. I love the simple lininess in the third and last of these illustrations and the simple blockiness of the cut-outs and just the idea of exploring the relationships between the contents of a studio full of things.