Who are these characters?

Dr Sketchy’s was themed on characters from Quentin Tarantino films.  That would be those films I have never watched.  Even with months of notice, I never found time to work through the canon.  So from tagging on facebook and a little searching online, I can tell you that these are (in no particular order) Santanico Pandemonium, Mia Wallace, Stuntman Mike, Mr Pink, Jules and Vince and these are played by Liberty Pink, Mysti Vine, Kitten von Mew and Trampy Holford.

I cut down my drawing kit to Ingres textured toned paper, graphite stick, conte crayons and black ink brush pen.  Stuntman Mike was the last and most sparing of the images.  Mr Pink (Liberty Pink in false beard) was the first.

I drew the two ten minute poses by Kitten von Mew side by side.  After these I started working larger.

Mysti Vine (posing with her green companion “Sid”) gave me a challenge – skin reflects light with so many more hues than do clothes. I struggled to simplify this to two or three tones which would have been more effective on the dark blue paper.

The diminutive Liberty Pink posed as hired thug Vince (John Travolta in Pulp Fiction) and Mysti Vine as Jules declaimed from the Bible before shooting us with a banana.

I am not sure who was the gun toting bloke who warmed up before Liberty came on to sing at the start.

Dr Sketchy’s yesterday migrated unexpectedly and with an hour or so to spare up the road to CherryReds café.  The food looks great: I’ll make a point of going back sometime.  Despite this (and it must have been a real challenge to the organisers), as always the team put on a great act.  I saw lots of interesting good sketches round the room.

Revels of the recently risen, as the cold ones plight their troth

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Dr Sketchy’s, themed on “Brides and Prejudice and Zombies”, at the Victoria pub in Birmingham last weekend.

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Humour and imagination and hard work has gone into the into costumes and prosthetics, selection of music, script for the marriage service and backing images.

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Ten to fifteen minute poses, drawn in pencil, ink, conte crayon and watercolour

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I abandoned accuracy, drew with abandon and made up the details as I went on.

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Exaggeration and anatomical distortion were pretty inevitable.

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Credits to Lisa Troth, Trampy Holford, Steve Pledger, Liberty Pink, Kitten von Mew, Tiffany Beau and others.

Dr Sketchy: Steampunk IV – windswept

The Victoria pub sits on a bend in the road.  The wind is channelled straight to the front door by the elevated highway running alongside.  Sitting outside the pub were hardened smokers, plus the two of us having a drink and warming up to draw, and the Dr Sketchy’s performers posing for photographs before the show.

My sketch, drawn between gusts, is not very good, offers a poor likeness and will cause me some grief for posting it here.

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My second drawing was from the imagination, starting with random doodles.  There is a bit of punk but little steam about this picture.

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Dr Sketchys: Steampunk III

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She harvested moonlight broken by droplets scattered by flying fish, and the phosphorescence left in their wake.

He scooped up after-images of butterflies in sunlight, the glisten of dew on beetles’ carapaces, the warning shock of wasps’ weeds.

From this they wove a cloth so fine that a bale of the stuff could fit in a razor shell.

They pitched their iridescent tent at twilight, at the surf’s edge, between silence and laughter.

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Credits

Dr Sketchy’s Anti-Art School, The Victoria, Birmingham.  24th September 2016

The Sea Hunter – Kitten von Mew

The Land Gatherer – Richard von Mew

Dr Sketchy’s: Steampunk II

This house was made for happier times, with wide windows looking onto landscaped gardens. The walled terraces, the tromp d’oeil, the stone grotesques and the hedged maze all obscure direct vision and advantage that which hunts by smell.

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Twice we have been saved by the Duchess’ toys and eccentric hobbies. The cracked fogged lenses of her eyeglasses give clear sight of what is true and in that way we recognised and repelled the thirteenth guest while twelve of us yet lived. Concluding the last assault, the copper wires round the spinning lodestone powered a crackling energy that caught the creature between hindquarters and tail and held it off the ground, howling, outlined in sparks while its bones glowed green. When it fell, it scarpered on two legs, shouting curses as he went. That has given us brief respite, until the waxing moon gives him again its predatory shape. But we must keep the contraption continually charged, and coal for the steam pump is nigh exhausted.

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The Duchess has taken up her cross, its stock made of tensioned hawthorn, the bow seeming spun of fine black metal, the string she says is maidens’ hair, and the bolts are bone. We, she has drilled as a hunting party and equipped from her eclectic store. We have swords and silver stilletos, and wide bore muskets loaded with exotic shot. The curate offered to bless water to load into cartridges. She cursed him for a fool and he sulked, became neglectful and so was taken.

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I count myself a brave man. I have revelled in pain and see my own death as but a stepping stone.     But tonight my mouth is dry and my bowels are loosed, my heart is rattling its cage. I do not know what frightens me more, the horror outside, or the quiet exaltation of the Duchess as she prepares to meet it.

 

Credits

Dr Sketchy’s Anti-Art School, The Victoria, Birmingham.  24th September 2016

The Duchess – Rebecca Thompson

The Veteran – Trampy Holford

Dr Sketchy’s: Steampunk I

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This is not real but is the fantasy of the hysterical mind.  There are treatments: electrocution, laudanum and, failing all, arsenic.

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Dr Sketchy’s, Victoria pub, Birmingham 24th September.  Ten minute poses by the wonderful and astounding Time Healers, Joanne Hemlock Wenlock and Richildis Mary Tonks.

Decadent Saturday afternoon

I tried to get a ticket for the Labour Party’s State of the Economy conference on Saturday 21st.  Labour has commissioned  leading economists to help build an economic model supporting a fairer society, as well as expert reviews on the workings and failings of the financial institutions.    It was sold out in under a day.  So I reverted to our original plan: my older son looked after the younger children and Jane and I went to the Old Joint Stock pub where Dr Sketchy’s anti art school had taken over the upper floor theatre as part of a Festival of Cabaret and where, by pleasing coincidence, they were also celebrating a Festival of Gin.

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Compered by jazz singer Liberty Pink, it took the theme of burlesque cabaret, with music and appearance recalling the brittle cheer of a world on the edge of calamity (as in the film Cabaret).  Liberty Pink sang at least one Kurt Weill number, the heartfelt “je ne t’aime pas” in its English translation.

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This music speaks to me.  Growing up in the 60s, we had a limited set of vinyl records and one I played repeatedly was Kurt Weill’s Die Dreigroschenoper (the Threepenny Opera) with Lotte Lenya’s voice switching between frantic despair and soaring fantasy as she dreams of liberation from … well, liberation from all men, through the agency of pirate slaughter.

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Previously, I had used fountain pen and conte crayon with reasonable effect for 20 minute poses, but had really struggled to make decent drawings like this for the 5-10 minute sketches in the Star Wars themed Dr Sketchy’s.  This time I had pre-planned my approach: each sketch had brief pencil construction, mark making in permanent ink and a limited range of pre-mixed colour daubed with a water brush.

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Burlesque in the 1930s had come to mix female striptease with bawdy and irreverent humour.  This Dr Sketchy’s session unashamedly celebrated humour and vibrant humanity through drawing (without striptease!).  Thank you to Liberty Pink, Miss Malone, Verity Grey and Kitten von Mew who modelled for us, and to Lisa who is the force that makes Dr Sketchy’s happen in Birmingham.

It was a great afternoon and for us a kind of married date day: a chance to get out together, sit in a pub with fun music and drink two different gins, surrounded by diverse people united in drawing.  My wife’s pictures in graphite and soluble colour pencil are mixed with mine in the gallery above.